Nov 6, 2020

This will push the film to get a properly exposed image. View all photographs taken by EMULSIVE on 110 format film. We now offer a free newsletter for photographers: Your email address will not be published. Get your 5 frames featured on by submitting your 350+ word article by either using this Google form or by sending an email via the contact link at the top of the page. View all photographs taken by EMULSIVE on 120 format film – 6×6, 6×7, 6×9, 6×12 and 6×17. all have similar contrast with nice grain, color seems a little cleaner on the Portra 400, a little heavy contrast on the Portra 800, Portra 800 has the most contrast but all images are very flat, Fuji 400 handles the push very well with nice grain and skin tone, Portra 400 renders very nice colors and grain but the contrast is a little on the heavier side, all the films build good contrast in flat lighting, the contrast in the Fuji 400 is not so heavy as in the other two and looks pretty good, Portra 800 is shifting toward green in a bad way, Fuji 400 renders pretty colors and grain with balanced contrast, Portra 800 is being pushed to the limits and has lost its color rendition. Head on over to read the other half of these stories there. For more information you can read our Privacy Policy. I think if there’s one thing that I learned, and that generally can be gleaned from my shooting of this roll, it’s that taking risks yields rewards. To compensate for this, the film will need to be left in the developer for a longer time. Since Fuji C200 is dirt cheap ($10 for a pack of 3 rolls through B&H), I decided I could afford to take some risks and liberties with a roll of it – namely, pushing it two stops in my Canon AE-1 with my Canon FD 50mm f/1.8. If you click on the category headings, you can find out the detail of each category and change the settings. It’s more of an artistic look than it is a way to save film or to give you more exposure.”. Fuji 400 renders pretty colors and grain with balanced contrast; Portra 800 is being pushed to the limits and has lost its color rendition; Key Takeaways. Thoughts and musings on film photography. I had a fun and active week ahead of me, a day out in my city of Chicago, and three days later, a camping trip to Spruce Knob, West Virginia, and could shoot between the two locations. When visiting our website, it may store or retrieve information on your browser, typically in the form of cookies. Color shifts, grain issues, and just generally bleh images can occur. Superia 400: Regarded as a truly everyday film, Superia 400 is a daylight-balanced look with subtle adjustments to colors and contrast that is colorful without being overly stylized. © 2003-2020 PictureCorrect, Inc. All Rights Reserved. 5 Frames… With Fujicolor C200 (El 100 / 35mm format / Nikon F100) – by Bart Patitucci, 5 Frames… With Fujicolor C200 (EI 800 / 35mm format / Nikon F3) – by Kevin Tan, 5 Frames… With Psychedelic Blues (EI 400 / 35mm format / Canon AE-1) – by Hannah Pitstick, 5 Frames… With Fujicolor C200 (EI 200 / 35mm format / Pentax Spotmatic) – by Antoine Wallet, 5 Frames... On the Buffalo River with ILFORD HP5 PLUS (35mm Format / EI 400 / Nikon EM + Nikon Series E 50mm F/1.8) - by Chase Taylor, 5 Frames... Of 35mm film in a Russian 6x9 camera and Agfaphoto APX 400 (35mm Format / EI 200 / KMZ Moskva-2 + Industar-23 110 mm f/4.5) by Martin Nauhaus, 5 Frames (+1)... Of beautiful B&W flowers on ILFORD HP5 PLUS (35mm Format / EI 400 / Minolta X-700 + MD 50mm f/3.5 Macro Lens) - by Kathleen E. Johnson, A complete guide to the Mamiya RZ67, part three: lenses, filters and accessories. View all photographs taken by EMULSIVE on 65mm large format IMAX film. Find your perfect Leica or M-mount film camera with the help of this interactive tool & reference data, 65 photographic projects you can do when you’re stuck at home, Color drama: Negative Lab Pro v2… Finding the right workflow for scanning color film at home, How to make a TEXPan: shoot wide-format 35mm film in the Fuji GW690III rangefinder. This will tell the camera that the film is more sensitive to light than it actually is—more sensitive by one stop. Fuji C200: Celebrated for its faithful depiction, Fuji C200 is the perfect choice for portraits of friends and family and features muted highlights and shadows. (Or black and white for that matter) I’m excited to see others pushing C200 also as that was my next stock to try pushing (going to to go for +2 push). A deeper look into projects created by yours truly and members of the analogue photography community. While some have beautifully muted tones that give a sense of softness, or that Fuji blue-green tint that adds a sense of unease and coldness to an otherwise fun shot, others bring punchy and saturated colors that look like a different film stock altogether, and others still perfectly and accurately render the scene I had before me. I'm Piper, she/her pronouns, and I like to pretend that I'm a photographer. If you like grain and heavy contrast, Portra 800 pushed two stops is the film for you. And along with exposure, the image also gains some extra contrast and grain. Fuji 400 is very flat when pulled while the Portra 400 and Portra 800 look better when pulled. I also write novels, which can be bought through my Twitter or Tumblr pages! Simply speaking, pushing and pulling film allows you to gain more contrast and grain for an artistic effect. This product is available in an ISO speed of 200 sensitivity, providing everything from versatility and highly flexible film with enhanced color reproduction to sharpness and smooth, fine grain. Want more photography tips? I push Portra 400 to 800 and it’s one of my absolute favorite looks. Read EMULSIVE’s travelogue articles; travel stories brought to you by the EMULSIVE film photography community. When pushed by a stop or two, Fuji 400 looks beautiful. As a result, the film won’t be too dense and will carry its own creative effect with decreased contract and decreased grain. I’ve also been told, and have taken into my personal philosophy, that rules are made to be broken. Disclaimer | Privacy Policy | Site by Matt Brett, No, my photos are the best, close this forever. We would love to publish an article by you if you are interested in writing for us. EMULSIVE is bringing the photographic community and industry together, one Community Interview at a time. I basically shot it at whatever speed I wanted, using the in-camera light meter as a rough guide. I've been doing photography for a few years now, but I really fell in love with film when I took a high school photography class in 2018. This will pull the film to get a properly exposed image. Cookies are important to the proper functioning of a site. See what we are looking for and get in touch. Join over 100,000 photographers of all experience levels who receive our free photography tips and articles to stay current: Your email address will not be published. Some shots came out as muddy green messes, sure, but what matters is that some came out beautifully. How To Frame Your Shots to Avoid Excessive Cropping, How to Naturally Pose Photography Subjects, Interesting Photo of the Day: Milky Way From the Oregon Coast, Interesting Photo of the Day: Tre Cime di Lavaredo at Sunset, Interesting Photo of the Day: Misty Magical Morning. Comparing the images from the three films, all of which were taken indoors in contrasty lighting and pulled by one stop, here’s how Morgan feels about them: Moving on to the images taken outside in low contrast lighting and pulled by one stop, Morgan has these opinions: Next, looking at the images taken indoors with contrasty lighting but pushed one stop, Morgan makes these observations: Going back the images taken outside in flat lighting and pushed one stop, Morgan has these opinions: Having a look at the images from the film stocks taken indoors and pushed two stops, Morgan notices the following: Moving outside in that flat lighting with the stocks still pushed two stops, here’s what Morgan has to say: What’s your favorite look from all of these? View all photographs taken by EMULSIVE on large format sheet film. Fuji 400 is very flat when pulled while the Portra 400 and Portra 800 look better when pulled. New! Contrarily, taking the previous example of Portra 800, if you set the camera’s ISO to 400, you tell the camera that the film is less sensitive than it really is. Since Fuji C200 is dirt cheap ($10 for a pack of 3 rolls through B&H), I decided I could afford to take some risks and liberties with a roll of it – namely, pushing it two stops in my Canon AE-1 with my Canon FD 50mm f/1.8. If you like what you're reading you can also help this personal passion project by heading on over to the EMULSIVE Patreon page and giving as little as a dollar a month. Because we respect your privacy, you can choose to disable some types of cookies. At the heart of EMULSIVE is the concept of helping promote the transfer of knowledge across the film photography community. Thank you! There will always be the bad shot, the failed shot, but for every one of those that you end up with, you will have something unique and beautiful. Available in 35mm single roll and 3-roll packs. Written by Piper McManamon and published on February 13, 2020December 23, 2019. Photographer Jay P. Morgan compares how pushing and pulling affects images using Fuji 400, Portra 400 and Portra 800 films: Let’s say you load your camera with Portra 800 film but set the camera’s ISO to 1600. Privacy Policy, Great vividness across the entire spectrum, including vibrant reds, blues and yellows, Sharp depiction of all aspects of the subject from over all from to textural details, Fine grain for a medium-speed film, providing consistently high quality even in enlargements, Accurate color reproduction even under fluorescent lights. Spring DSOs on pushed Fujicolor C200 - posted in Film Astrophotography: In April this year, I had fun with prime focus astrophotography using my SN8 and Praktica camera. It does not usually directly identify you, providing you with a more personalized web experience. Explore experimental development techniques, pushing and pulling film, cross processing, red scale photography and much, much more here. This information might be about you, your preferences or your device. I do Home develop so i have control over all the variables and I havent Had any issues yet with pushing color film. Go right ahead, submissions are open! Experimentation plays a huge part in film photography – it’s baked right into the medium. The camera will thus meter so that the film becomes underexposed by one stop. Check out the submission guide here. I love it! We are always looking for more interesting and insightful photography tips and techniques to share with our readers. YESSS!! I’ve been told millions of times over – DO NOT PUSH COLOR FILM. See what we are looking for and get in touch. The premise is simple, you ask the questions and we’ll get the industry to answer. From shutter speed testers to large format cameras, we’ve got you covered. View all photographs taken by EMULSIVE on 35mm format film. When pushed by a stop or two, Fuji 400 looks beautiful. “Pushing and pulling film is more about creating contrast and grain. EMULSIVE is a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography. To improve your experience, we use cookies to remember log-in details and provide secure log-in, collect statistics to optimize site functionality and deliver content tailored to your interest.By continuing to use this site you are giving us your consent to do this. There's also print and apparel over at Society 6, currently showcasing over two dozen t-shirt designs and over a dozen unique photographs available for purchase.

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