Nov 6, 2020

In this common module students deepen their understanding of how texts represent individual and collective human experiences. For instance, Italian Neorealist films – a cinematic movement which often focused on depicting stories of working class, ordinary people in post-war Italy – often had a similar emphasis on naturalistic, unfabricated lighting. As a result of these reforms – seen by the political elite as ‘necessary’ for growth, but seen by the working classes as a cruel depravation of social safety nets – divisions between classes grew. Clear contrasts are seen between the spacious dance rooms and the cramped, messy home that Billy lives in. Crises such as the Falklands war – a brief but intense conflict between Britain and Argentina over British islands – allowed the British government to use a ‘crisis mandate’ to impose strict and fundamental changes to the economic fabric of society. As such, the subjective experience of the film is reinforced – we are not merely seeing what is there in the world, we are seeing the world through Billy’s eyes. Storytelling is simply a metaphor that helps people deal with the harsh truth of the human condition. This is a practice essay for those who are studying the film of Billy Elliot in the HSC. Written response to the following question. NEW English Syllabus "Billy Elliot" Master Essay. Feminist movements were focusing on the role that gender plays in society, and how certain gendered norms – such as what men and women should wear, do or pursue – were restrictive to many people. Do not copy from this work. Billy Elliot is Stephen Daldry’s 2000 film about a boy becoming a ballet dancer, and gained acclaim for its promotion of individual identity, its challenge to restrictive gender norms and its celebration of artistic pursuits. Documents similar to "Text and Human Experiences" are suggested based on similar topic fingerprints from a variety of other Thinkswap Subjects Billy Elliot essay Document Title Update my browser now. Rather than focusing on one side and entirely demonising the other, he illustrates the tolls and virtues of these experiences for a wide range of people, providing a greater range of empathy and appealing to a wider base of audience experiences. An overarchingly liberal view of sexuality in the film is epitomised when, before Billy’s departure, Michael briefly kisses him. The human experience of creating or performing art is thus rendered as a noble pursuit, one which can allow an individual to achieve greater purpose and meaning in their life. What about the hallucination that Billy experiences, of his mother? For example, when his brother rips Billy’s headphones off, the abrupt muting of the music achieves this effect. Here, Daldry uses blocking (the movements and actions of characters within space) in combination with the editing and music to convey how Billy imagines the music in his head. These authorities are less focused on, often demonstrated in brief glimpse, yet their presence is no less important. A dolly shot can also be used to create surprising or comedic images. It is only when Billy’s legs come into the foreground, identifiable by his lack of ballet stockings and his shoes, that the audience realises he has taken up Mrs Wilkinson’s offer. The coal industry underwent great changes following nationalisation in 1947. Other parallels between Billy and the mining community can be seen. Billy Elliot is Stephen Daldry’s 2000 film about a boy becoming a ballet dancer, and gained acclaim for its promotion of individual identity, its challenge to restrictive gender norms and its celebration of artistic pursuits. DemonDavis_ Updated: Aug 3, 2019; D. Texts and Human Experiences - 1984 notes. Documents similar to "Text and Human Experiences" are suggested based on similar topic fingerprints from a variety of other Thinkswap Subjects. In this module, students will explore a range of texts, including the prescribed text Billy Elliot, which will deepen their understanding of how texts represent individual and collective human experiences. Billy Elliot Essay for Texts and Human Experiences - New NSW HSC Course. Has this subject changed names or been replaced? 751 0 obj <>/Filter/FlateDecode/ID[<46C2098FB26FE44F8E345ABB6377216D><481FAB9B5CBF94448357DEAF42643212>]/Index[737 39]/Info 736 0 R/Length 83/Prev 470626/Root 738 0 R/Size 776/Type/XRef/W[1 3 1]>>stream Billy’s father reminds him sternly that boxing has run in their family for generations, yet Billy rejects this in favour of a new notion of masculinity – one focused on earnest expression and graceful physicality. For instance, as discussed above, the connotations and presence of the mining strike posters convey the political tension. The framing of the elevator gate in the foreground, the staging of all the miners packed together and the low-key, desaturated lighting suggests that – while Billy has experienced a transition into a brighter and more positive future – his family remains trapped and under broader authority. Billy Elliot is a British comedy drama directed by Stephen Daldry on the screenplay of Lee Hall, starring Jamie Bell in the title role, Julie Walters in Mrs. Wilkinson, dance teacher Gary Lewis, the minor father on strike, and Jamie Draven, Billy Elliot's big brother. This is an other example of a visual technique placing the audience in a subjective relationship to the character – we feel and see what Billy does, strengthening our connection to him. The mining strikes donation is specifically placed next to the jewellery store, and he has to chose which ‘side’ to align with. High contrast, volumetric lighting (volumetric refers to how the light appears ‘solid’ because of its interaction with smoke/particles in the air) is used to emphasise how daunting, and perhaps frightening, this new transition in Billy’s life is. Later, when Mrs Wilkinson takes Billy out for a drive to the lake, heavy industrial machinery in the background is juxtaposed against a serene, natural environment – which Daldry demonstrates through extreme wide shots and careful framing. Joining the class, 11-year-old Billy shows a raw talent that is immediately recognised by his dance instructor. When introduced to Debbie’s father, we learn that he is a staunch conservative who despises the miner’s and any left-leaning political ideology. If you continue with this browser, you may see unexpected results. �v�\�����i��4�tBL���` ��^A Various forms of authority exist in the film. Holi par hindi mein essay How do we write narrative essay. This time however he fights back, eventually running free from the compound. When analysing this film for the common module, it is critical that you link all your discussion back to notions of human experience, and to the formal features of the text. Drawing parallels between Billy and the swan may be a useful way to explore how Daldry draws on the archetypal story and recontextualises it to connect with modern audiences. Our first real vision is of Billy, floating, jumping in and out of frame. H�TV��]7� �N�B+R%�'�2��)6����m8�"���9���ޑx(>�#ݼ�����������͛��ۻO���o�}���ͻ����v���ۇ�_�ܼ���.�z������Ǐ?�t���v�~���9�����]�Vja�Y����Ú�فf� j�ø�R�qG�^̰�e�A� �]�����d�J�4��5�䁧���ƵtxFxa���OFc����7~o�ǝ��L,X��qr���]| y��sv�O� M�q�E�)T3 ��h�d6l�2Mh,!˽1�u8������!c�.-��f���r-#Xَ��P~�h��N�tP��i�X>.0f�P��T�p\�*N+K�*kgdBS��˶�6ӣ+��"ю� �Z�{��. Later on, when Billy dances and runs home, his steps are in time with the music. The first shot of the film is of a record – an obvious choice given the musical connotations – but it also situates us in a specific time, right after the subtitle introduces the date. Note: Flower symbolism in visual arts has a long and varied history, but in Western traditions it has often been associated with fertility, life and sexuality. Texts and Human Experiences. This means you will be looking closely at the techniques a composer uses to represent his / her messages and shape meaning. Billy Elliot : Texts and Human Experiences Module : Texts and Human Experiences Module This module explores how texts represent individual and group experiences, and the effects caused from these experiences. Texts and Human Experiences. It looks like you're using Internet Explorer 11 or older. Daldry implies the steady breakdown of rigid traditionalism that occurs between generations, a kind of social awakening that mirror’s Billy’s own awakening to dance. Billy's restricted human experience is initially dictated by … The use of montage and juxtaposition also demonstrates the various oxymorons that exist in Billy’s life, and the paradoxes of his experiences. Individualism is celebrated as the all-powerful force of our lives, a message reinforced to the audience in the final shot of the film as a grown-up Billy leaps on stage during a production of ‘Swan Lake’. Square Here, Daldry uses wardrobe to convey the relationship between gender roles and aesthetics (such as fashion), and how the former can arbitrarily restrict the latter. Update your browser to view this website correctly. The film centres on his struggles with various forms of authority – his father, the police, the government and social gender norms. For Billy, rather than overcoming his father, he manages simply to convince his father that the dancing is an important aspect of his identity. endstream endobj 741 0 obj <>stream endstream endobj 738 0 obj <>/Metadata 45 0 R/Outlines 101 0 R/Pages 735 0 R/StructTreeRoot 110 0 R/Type/Catalog/ViewerPreferences 752 0 R>> endobj 739 0 obj <>/MediaBox[0 0 595 842]/Parent 735 0 R/Resources<>/Font<>/ProcSet[/PDF/Text/ImageB/ImageC/ImageI]/XObject<>>>/Rotate 0/StructParents 0/Tabs/S/Type/Page>> endobj 740 0 obj <>stream This is made all the more remarkable by the fact that Billy has had no feminine role model for most of his life, at least until Mrs Wilkinson takes on the role of a near-adoptive mother. It also sets up the subjective experience of the film, something very important to note (it is discussed further in the sound techniques section). Why does Daldry do this?

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